Monday, December 31, 2007
The Story Behind The Writing: The Final Moments...
There is something shocking, yet soul-emptying about this last issue. I can't put it into words, in a way that properly conveys what I'm going through here. I'm seeing the last pages of a story that has been with me for 20 years. I'm happy to see it finished, and finished right.
You'll have to wait until April to see the last issue for yourself, since Book II will be arriving in comic shops on January 4th. Don't worry, you have months ahead of you before the end. You have time to prepare. You have time to warn others.
I'll put this whole experience into perspective later, and plan for whatever lies ahead, I suppose. I can't really put this into words right now, without coming across as needlessly pretentious. After all, you haven't seen how this story ends. I have. You don't know what is waiting for you, in the final moments...
I hope you'll stay with us on the journey.
Friday, December 28, 2007
Notes from the Field: The End of the End
What the hell is a sugar-plum faerie anyway?
It's been a hard month of perserverance and I'm glad I found the strength somewhere within to see this through. I didn't think I'd really be able to do it on some level. My biggest fear was that the quality would suffer in my mad dash to the finish. But I think those fears are unfounded as I look again over the last 32 pages.
Here's the first page of the last book. Book II comes out next week, so this non-descript scene will mostly set a mood of things to come. The calm before the storm if you will. Well...it's time to take care of the details and wrap this all up.
Thanks for joining us on this journey. I know Scott has some pretty fun stuff cooking in the months to come. So stay tuned.
Oh and here's an interview I did with The Pulse: http://www.comicon.com/ubb/ultimatebb.php/ubb/get_topic/f/36/t/006930.html
=s=
Sunday, December 23, 2007
The Story Behind The Writing: Sequels and Christmas Shopping
Book II is one of my favorite chapters, probably because it opens right in the middle of the action, and I think we've created an even greater palpable sense of urgency in this issue. I hope you like it.
Christmas is just a few days away, which means like most of us, I'm busy with last minute shopping and preparations. This is the only time of year that I miss snow, because I've been a northerner for most of my life. Now that I'm a Floridian, I'll have to make do with the sunshine and the beach this weekend. I know, it's a rough life. I'm hopeful I'll have theovermancomic.com updated with a new flash featuring glimpses of the 2 nd issue, by January 1st. There will also be an 8 page preview that will replace the first issue preview currently online. If for some bizarre reason you haven't yet read the free preview of Book I, go there now before we take it down. As much as I'd like to keep all of the previews online, we really want to encourage everyone to seek out the actual printed comics, available at your local comic shop, for only $3.50.
Have a safe and merry Christmas! See you next year!
Saturday, December 15, 2007
Notes from the Field: Success is in the Doing!
It's hard looking at work that one has done over a year ago. Especially the parts where you know what the problems are but had no choice but to let them go, lest you never finish anything.
An artist is one of those few people who work with perspective but most often lack perspective .
Suffice it to say I think it's a pretty attractive book overall, can't wait to see what happens in book two. I've gotten far enough along that I've completely forgot what has come before. Like I told Scott, I think my focus has been so much on this project that I've actually lost IQ points along the way. I can't think about anything else but the task at hand.
Moving forward is momentum, and stamina keeps you going. While my endurance has been quite good I think my stamina is slowing down. Sometimes it's cyclical but in this case I don't really know. I'm jazzed about some upcoming projects and I'm also jazzed at how this last book is turning out. Every issue for whatever reason seems to top the last in content and story. And in each issue there's a nice set piece that I think really delivers. This issue has several set pieces, but certainly doesn't lack in story. Right up until the last pages the bizarre and meaningful events continue to unfold, and the ending couldn't feel more right.
Here's a couple of sketches that people won over at the Comicspace contest I was holding:
Finishing these issues one by one is in and of itself the great reward. The act of seeing our vision through to the end the way we want is what comics has become. Having as many people read the effort is icing on the cake.
=s=
Monday, December 10, 2007
The Story Behind The Writing: Silver Bullet Comics Reviews The Overman #1
From Silver Bullet Comics:
How can you not be intrigued by a book that promises the end of the world? Not the danger of the world ending, mind you, that's as common as unsalted butter. Overman, on the other hand, opens with a narrative that speaks of the destruction of the human race in the past tense. While this could simply be literary sleight of hand, the rest of the book is weird and disturbing enough that it might not be.
The story begins with Nathan Fisher, a thief of some kind, breaking into a cabin in rural Pennsylvania. Nathan is looking for something, but what that is isn't stated here, only that things don't turn out well for Nathan. While that alone is reason enough for the beginning to be alluring, it is doubly so because Reed and White have created a believable future in a few short pages. The year is 2135, and the differences between our time and the present of Overman are as subtle and great as the difference between 2007 and 1870. While there are things you'll recognize (firearms, ties), there are things that are completely alien. I doubt many people in this day and age would consider crawling into a learning machine that resembles a womb more than a computer. However, being a man of the 22nd century, Nathan crawls right in and launches readers into a story within his story.
This takes us to Exodus, part asylum, part prison, and Hellish enough that it sits in orbit rather than being built on solid ground. The dumping ground for Earth's psychopaths, the head of the facility, Dr. Grey, isn't what you'd expect; rather than some sadist looking to run a crazy factory, Dr. Grey appears to legitimately care about her wards, to the point where she is extremely skeptical when a corporation by the name of Omakon shows interest in purchasing Exodus. When the heads of Omakon arrive at the facility, the source of her caution becomes clear.
However, all of this pales at the introduction of what is presumably the Overman, Dmitri Leonov. Comatose after years of wearing a highly dangerous form of combat armor, Leonov's name is still spoken in hushed tones years after his disappearance and subsequent reappearance as a vegetable. As to what, exactly, Leonov did to earn such a fearsome reputation is only briefly stated here, but even as a unspeaking shell he still strikes fear into those that come near him.
While the narrative may be a bit confusing at times, this is only due to the fact that Reed and White have put the reader into the middle of two stories that are separate but intertwined. There's no heavy handed exposition, just a deep and riveting chronicle that the reader is thrust into by a thief in the night. Whatever it was that Nathan Fisher found in that Pennsylvania cabin, readers will want to know about it. This first issue is a great setup, promising an intriguing blend of noir, cyberpunk and apocalyptic goodness.
- Matthew McLean
If you liked this review, be sure to check out more of the author's work at http://madbastard.hypersites.com
Saturday, December 08, 2007
The Story Behind The Writing: The Pulse
As I mentioned here before, Shane and I are coming out of left field with this book, and I believe we've caught a lot of people by surprise. I do believe that The Overman is worth every penny of the $3.50 price point; it's densely packed, and has NO ads. It also helps to have some mind-blowing artwork, and Shane has delivered this in a way that I've personally never seen before, or would have guessed possible, to be honest.
Watch for a preview of The Overman Book II at http://www.theovermancomic.com/ in a few days. We'll also unveil a new flash animation on the home page, which will feature glimpses of art from the second issue (which I promise will be even more shocking than the first issue).
Wednesday, December 05, 2007
Notes from the Field: What I Learned On The Way To The Finish Line!
It's true. The surrounding area has had delays what with the flooding and all on the main I-5 thorough fare. Nor did I receive contributor copies of the book. Essentially I have no thunder to steal and my race across the finish line holds no real glory as the finish line was moved 10 more miles down the road.
The last 10% takes 90% of the effort. Don't forget that.
Far be it for me to imbue infinite wisdom from my trials and tribulations on doing something I truly love, but as we all know or will learn; love kills. It's right up there with heart disease.
Rule One: Never set a deadline if you're not getting paid. No reason for it. Well...part of my reason was for my "sanity". I wanted to be finished with everything and start 2008 anew. Will that happen...it might, if I finish this entry and get back to the grind.
Rule Two: Do not hold down a full-time job and give yourself a deadline. Luckily I'm not working entirely full-time, but I thought I'd throw it anyway. Especially if your job pays a living wage. Comics is a career or a hobby, but you have to choose one.
Rule Three: Know when to let go of the details that someone else can handle. Scott's pulled some things around that I thought would not work and I had written them off. I know, bad form, mistrust...and all that but in the end it's about eat what's on your plate, learn to deligate, like it or not, at least it's getting done and always say thank you.
Rule Four: Be on top of your marketing so much so that it's as if you had planned it in tandem with the book. I think my efforts early on in this really helped set the path and we were able to keep adding to it along the way, building off a simple idea/concept and never straying. If you don't know how to market your book you'll have to learn pretty damn quick because no one will do it for you.
Rule Five: Never underestimate the power of friendship. Reaching out into the community in which you want to be accepted has paid of dearly in many ways. I've made good friends, great connections and oddly enough word of mouth is born from this and good impressions are infectious.
I could go on but I won't. I need to get back to it.
So if you've picked up Book I, write to us here, leave a comment tell us what you think. If you haven't please consider it, you may just surprise yourself how much you like it.
In terms of movies, you realize there are many genres of movies, right? And many film companies? I'd be hard-pressed to find someone who only watches action-movies from Warner Brothers. There are many good products outside of superheroes and outside of Marvel and DC, why not treat yourself and try something new?
=s=
The Story Behind The Writing: The Beginning Of The End
I hope you all had a chance to download Centuries In Metamorphosis, the exclusive online 'Making Of The Overman' that was available online for a brief 24 hours. We'll also have more online goodies to unveil next month, with the publication of the second issue. In the meantime, there's still time for you to buy The Overman #1, at your local comic shop. If you're new to comics, you can find your nearest comic shop by calling toll free 1-888-COMIC BOOK. Ask your comic shop if they carry The Overman, and if they don't...well, ask that they do.
From comicpants.com:
'That was one hell of an opener. The Overman is an imaginative read with plenty of characters and hints of more to come, but at its most basic, it's a science-fiction story about a greedy military corporation and a sentient ultimate weapon of mass destruction. It's full of touches that remind this reader of Warren Ellis, Grant Morrison and Alan Moore, from the demanding and clearly deranged naked psychic in a cage to direct-from-the-mind telepathic logs to a space station sized insane asylum. While the storytelling is reminiscent of the sci-fi flavor of the comic book British invasion, though, the artwork is pure '80s American comics, with influences seemingly including Mark Bright, John Byrne and Tom Mandrake. It's an unusual fusion, and the result is something new, a smart yet action-packed sci-fi series with some nice, foreboding promise in the hints of story to come.'
-- Randy Lander, Comicpants.com