If you couldn't tell by now this is just a small sample of the agony of designing that first issue cover. Even now I'm struggling with covers for 4 and 5 and have yet to slow down this inevitable process. More times than not, having Scott's input on a cover idea is much more rewarding.
Our working relationship as such is one of those rare instances where the other person provides and excellent springboard. Usually that springboard is so out-of-whack that it makes the other rethink their initial idea or abandon it completely. It's all about one-up-manship, and I think we're lucky to have that.
Anyway, enough of my yakking...let's get to the art.
Our working relationship as such is one of those rare instances where the other person provides and excellent springboard. Usually that springboard is so out-of-whack that it makes the other rethink their initial idea or abandon it completely. It's all about one-up-manship, and I think we're lucky to have that.
Anyway, enough of my yakking...let's get to the art.
The psychology of a cover is important to us. We strive to capture key moments that add to the story and make you reconsider what is going on in the scene. It's the kind of covers that we like to see that grab our attention that we're most passionate about making. From concept, composition to color it all plays a role in attracting you the reader like a bee to pollen.
=s=
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